Created by
Yiannis
The journey of self-consciousness by Devoidness in 's-Hertogenbosch
The journey of self-consciousness
Spray-paint and mixed media on wall (Commission)
Created for a cultural space dedicated to psychoanalysis, The Journey of Self-Consciousness explores the inner architecture of the human psyche — a space where memory, voice, and darkness coexist.
In the upper left, a chest floats at the edge of a surreal landscape. It is sealed, heavy with content — a stand-in for the unconscious: what is stored, repressed, or protected. The landscape extends diagonally to the center, evoking a dreamlike dawn, with jagged rocks that subtly morph into constellations. Here, the personal merges with the cosmic, as the terrain of the self becomes a map of the stars.
In the lower left, a microphone rests quietly, symbolizing the speaking subject — a reference to the therapeutic act of voicing the hidden, of making sense through narration. Opposite it, in the lower right, a black hole pulls inward: the inevitable encounter with loss, fear, or inner void. Not destruction—but absorption. Transformation.
Between these symbols, the mural stages the process of becoming conscious: from sealed memory to verbal expression, from cosmic awe to gravitational collapse. The palette, soft and shifting, mirrors the vulnerability of transition — a threshold between night and understanding.
This is not an illustration of psychoanalysis. It is a visual ritual of it.
As Devoidness, I’m less interested in what we show and more in what we cannot hide.
In this mural, the self is not a fixed image — it’s a landscape in motion, haunted by its own echoes, but moving toward clarity.
Meet the Artist
's-Hertogenbosch, NetherlandsI'm Yiannis Kalyvis — also known as Devoidness in my street work — a Greek visual artist whose practice moves between painting, muralism, and abstract forms. My work is inspired by the poetic tension between structure and collapse, memory and transformation, the symbolic and the spontaneous.
I’m deeply drawn to contradictions. The balance between realism and expressive gesture, between cultural memory and personal myth, drives much of my work. I often use visual language to explore historical trauma, feminine archetypes, and urban spirituality — without ever giving up the raw power of color, form, and instinct.
What I love most about creating is the freedom to transform a surface into emotion. Whether it's a large-scale mural in the public space or a smaller canvas, I try to create moments that speak without words — visuals that are open enough to carry both beauty and discomfort.
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